ECOLOGY WITHOUT NATURE: A Keener Perception

Friday, April 8, 2011

A Keener Perception

I can't recommend Alan Braddock's A Keener Perception highly enough. It might be the one breakthrough book on visual art and ecology that art history needs to get into the game. There are some wonderful essays in here. Alan's is marvelously complex. And Christoph Irmscher's one about Agassiz's illustrator vs. Haeckel is fantastic. They both draw Medusae but Agassiz's illustrator does so with an uncanny inhuman delicacy, almost photographic.

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Bill Benzon said...: Here's what my buddy John Holbo has to say about Haeckel:

What is less generally known is that the artist started as a Christmas card designer. The book was originally simply an album of holiday designs. . . . During the Victorian era Christmas was indeed regarded as a 'happy' day, but one of uncanny terror; accordingly, cards and ornamentation featured strange creatures with too many tentacles. But then Santa Claus became popular, and many of these older designs 'fell out of fashion'.

Here's a set of Flickr's of contemporary Christmas cards John's designed using Haeckel's illustrations. So, this year, have yourself an uncanny Christmas and send these beauties to friends and family.; April 8, 2011 at 6:14 AM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Friday, April 8, 2011

A Keener Perception

1 comment:

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