ECOLOGY WITHOUT NATURE: Masculinity

Saturday, January 7, 2017

Masculinity

In the days to come, there were more declarations of acid satisfaction among the Russian élite. Dmitri Kiselyov, the host of “News of the Week,” a popular current-affairs show on state-controlled television, gloated over Trump’s victory and Barack Obama’s inability to prevent it. Obama, he said, was a “eunuch.” Trump was an “alpha male”—and one who showed mercy to his vanquished rival. “Trump could have put the blonde in prison, as he’d threatened in the televised debates,” Kiselyov said on his show. “On the other hand, it’s nothing new. Trump has left blond women satisfied all his life.” Kiselyov further praised Trump because the concepts of democracy and human rights “are not in his lexicon.” In India, Turkey, Europe, and now the United States, he declared, “the liberal idea is in ruins.”--The New Yorker

1 comment:

John T. Maher said...: It would be better not to believe that Conde Nast writers are public intellectuals with their fingers on the pop culture zeitgeist. This is 'Talk of the Town' fare and nothing we do not already know about the patriarchy. Gossip not insight.; January 7, 2017 at 5:22 PM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Saturday, January 7, 2017

Masculinity

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