ECOLOGY WITHOUT NATURE: Bogost Denies Surge in Hits

Saturday, September 5, 2015

Bogost Denies Surge in Hits

Well, this blog got 40 000 hits yesterday. And the day before 20 000. I blamed my post about Ian Bogost coming to Rice. But Ian assures me it can't be that.

It's an interesting correlation though. Occasionally in the last year I've had about 8 000 hits once or twice. A little while before I would sometimes get 3000. But 40 000 is an order of magnitude higher. It's like some kind of domino cascade or hundredth monkey effect. Or maybe Ian's talk made the software go crazy with pleasure :)

3 comments:

Anonymous said...: My evil plan is working! Funny how all of the hits came from an abandoned oil rig in the North Sea from whence I am planning to launch my secret army to take over the London seahorse racing gambling syndicate.; September 5, 2015 at 4:00 PM
loey said...: I for one tweeted a link to your brilliant "fuck faces" post 8/25.
I'll entertain the notion a domino started there.; September 5, 2015 at 4:35 PM
D. E.M. said...: I checked in 39,000 times, so it could be that too.; September 5, 2015 at 9:25 PM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Saturday, September 5, 2015

Bogost Denies Surge in Hits

3 comments:

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