Marina Zurkow is a genius
Dark Chemistry has a characteristically fine analysis of my Hyperobjects 4.0 at his blog.
The more I look at them the more I think Marina Zurkow's Elixir series shows us something speculative realism is also showing. The fragile glass decanters, containing their cartoon line drawing humans in their bottled worlds, are correlationist ships in bottles, storm tossed inside the hyperobject of climate. Dark Chemistry discusses the Cthulhu allusion in my talk, in which I compare hyperobjects to Lovecraft's mad god. It's as if we have woken up to find ourselves inside a monster.