Adrian Ivakhiv just sent me his book. I've only ever seen it as a jacket-less library copy, so it's very nice to have the real thing. What a beauty. Presses have such different ideas as to what constitutes a good cover. I love how this one incorporates polyvalent symbolism into almost Mondrian-like simplicity. Of course I really like the arguments therein, especially as a frequenter of Glastonbury and Avebury (if you don't know Avebury, you should! The real Stonehenge!)
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