ECOLOGY WITHOUT NATURE: Graham Harman on Hyperobjects

Thursday, December 13, 2018

Graham Harman on Hyperobjects

Graham has always always been about thirty seconds way by text for clarification and explanation of many a Deep Thing in the eight years we've been pals. It's just a happy coincidence that "strange stranger" in The Ecological Thought corresponds exactly to an OOO object, and that I started thinking about hyperobjects two years before I read Tool-Being. I had a cholesterol problem at the time and was going to the gym a lot, where I read it. Philosophy, gymnasium.

Here's this great essay he's just published on the hyperbjects idea.

1 comment:

elliott said...: Can you please comment on what Bruno Latour means when he says,

"The globe is not actually something which has any existence."
(at 46:59) https://t.co/CVgYmUHxsi

"the destruction of the image of the globe"
https://youtu.be/4-l6FQN4P1c

"the Earth itself might not be a globe after all"
http://www.bruno-latour.fr/node/700

Do you think Latour's thought fits with the thought of Earth as a level motionless plane?; April 6, 2019 at 7:22 PM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Thursday, December 13, 2018

Graham Harman on Hyperobjects

1 comment:

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