ECOLOGY WITHOUT NATURE: The Bureaucracy of Ego

Tuesday, October 25, 2011

The Bureaucracy of Ego

It is important to see that the main point of any spiritual practice is to step out of the bureaucracy of ego. This means stepping out of ego’s constant desire for a higher, more spiritual, more transcendental version of knowledge, religion, virtue, judgment, comfort or whatever it is that the particular ego is seeking. Whenever we have a dualistic notion such as, “I am doing this because I want to achieve a particular state of consciousness, a particular state of being,” then automatically we separate ourselves from the reality of what we are. One must step out of such spiritual materialism.
--Chogyam Trungpa

2 comments:

forestmongrel said...: thanks for that.
today I feel this exactly describes the challenges of occupy san francisco.
fantasy of building popular transformative political movement
vs.(enmeshed with)
the real(ishness) of colliding
bureaucracies of ego
trying to build a village in a park; October 25, 2011 at 5:50 PM
Kaposvári Márk said...: objects occurring
http://youtu.be/GsRLeeqSVYg; October 26, 2011 at 2:00 AM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Tuesday, October 25, 2011

The Bureaucracy of Ego

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