ECOLOGY WITHOUT NATURE: The Brain Imaging Videos: A Beginning Interpretation

Sunday, September 25, 2011

The Brain Imaging Videos: A Beginning Interpretation

This is the most telling video for me. It shows how similar the three fMRI subjects' imagery was. What this says to me is that phenomenology is right on the money. You don't see a lot of little dots that you resolve into Steve Martin or a parrot. Steve Martin and the parrot are right there, as themselves, whole. It also implies that your mind is “out there” not in some little isolated box. It's out there in an interobjective space translating Steve Martin and the parrot into a parody of themselves. Not pure abstraction.

Looking at the images are “sprouts of enjoyment” emerging from the brain—the other way around, that is—they uncannily resemble the mimoids produced by the sentient ocean Solaris.

2 comments:

Bill Benzon said...: Think of visual perception as real-time simulation in neural wetware of the external world driven by sensory input. Remember that the brain is actively predicting what's coming next. It's expecting certain input. That's the simulation aspect. It then, in effect, uses sensory input to calibrate and refine its prediction.; September 26, 2011 at 4:28 AM
Bill Benzon said...: My quick take on this work:

http://new-savanna.blogspot.com/2011/09/seeing-into-brain.html; September 26, 2011 at 5:57 AM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Sunday, September 25, 2011

The Brain Imaging Videos: A Beginning Interpretation

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