And in a more fantastical approach, Tessa Farmer reverses the hunter/hunted paradigm. Using natural materials such as insect and crustacean carcasses, bones and plant roots, Farmer’s fantastical hanging diorama “The Terror (After Machen),” depicts armies of bees ridden by tiny skeleton fairies, and swarms of ants, butterflies and beetles attacking birds including a majestic peregrine falcon.
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