ECOLOGY WITHOUT NATURE: My Talk "Dark Ecology" at Activating the Medium

Sunday, April 22, 2012

My Talk "Dark Ecology" at Activating the Medium

Short and sweet. What an incredible gift this evening was. I hold that art should be a little bit evil and this was it! Perfect way to start the Earth Day (un)celebration...

I ran my new line of argument—it seemed to go down okay. Nothing like as good as the music though.

2 comments:

medieninitiative said...: Very nice and to the point. Thanks for posting this. One question, though: how does the notion that ecological awareness consists in the realization of connectedness in a world in which "there are no clear boundaries" (as I believe you put it here) square with the ontology of objects, which, as I understand it, is an ontology of clear boundaries par excellence? (Please note: I'm genuinely interested in your answer to this, and I have no hidden agenda in asking.) It does seem, though, that a lot of the disagreements over processual or relational as opposed to object-oriented ontologies turns precisely on this question of whether entities are clearly parsed on a metaphysical level. Sometimes it seems that the debates turn to epistemological questions of whether we can see or know the world as having or not having clear boundaries around the objects that populate it, but it seems you are saying that our current ecological realizations, i.e. epistemological and/or affective events, are indeed indexed to an ontological situation in which a lack of clear boundaries obtains. Does this only apply to boundaries between human, animal, and other nonhuman agencies, or does it also apply to inter-object relations? If the latter, doesn't it make sense to say that the debates over processes vs objects are in a sense undecidable, or that these determinations depend on some sort of non-foundational perspectival selections, which need not be mutually exclusive? I'm just thinking through options here, and I'm really interested to hear your response. Also looking forward to hearing your talk at the Nonhuman Turn conference in Milwaukee!
Best,
Shane Denson; April 23, 2012 at 5:41 AM
Henry Warwick said...: Cool - Jim Haynes is great - I've known him for years. Great to know all this happened. Yay! And great slate of music!; April 23, 2012 at 10:11 PM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Sunday, April 22, 2012

My Talk "Dark Ecology" at Activating the Medium

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