|(c) Emilija Skarnulyte 2016|
One of the things that modern society has damaged has been thinking. Unfortunately, one of the damaged ideas is that of Nature itself. How do we transition from seeing what we call “Nature” as an object “over there”? And how do we avoid “new and improved” versions that end up doing much the same thing (embeddedness, flow and so on), just in a “cooler,” more sophisticated way?
When you realize that everything is interconnected, you can't hold on to a concept of a single, solid, present-at-hand thing “over there” called Nature.
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He has collaborated with Björk, Olafur Eliasson, Jennifer Walshe, Haim Steinbach, and Pharrell Williams. He is the author of Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), eight other books and 200 essays on philosophy, ecology, literature, music, art, architecture, design and food. In 2014 Morton gave the Wellek Lectures in Theory. Blog: http://www.ecologywithoutnature.blogspot.com. Twitter: @the_eco_thought
My University Home Page
Academia.edu (many essays posted)